Born in Yorkshire in 1964, Miller earned his BA and MA in Art History from the Chelsea College of Art. Harland Miller is both a writer and an artist, practising both roles over a peripatetic career in both Europe and America.
After living and exhibiting in New York, Berlin and New Orleans during the 80s and 90s, Miller achieved critical acclaim with his debut novel, ‘Slow down Arthur, Stick to Thirty’ (2000); the story of a kid who travels around northern England with a David Bowie impersonator. In the same year he published a small novella, First I was Afraid, I was Petrified, based on the true story of a female relative with Obsessive Compulsive Disorder, discovered when Miller came across a box full of Polaroid images she had taken of the knobs of a cooker.
In 2001 Miller produced a series of paintings based of the dust jackets of Penguin books. By combining the motif inherent in the Penguin book, Miller found a way to marry aspects of Pop Art, abstraction and figurative painting at once, with his writer’s love of text. The ensuing images are humorous, sardonic and nostalgic at the same time, while the painting style hints at the dog-eared, scuffed covers of the Penguin classics themselves. Miller continues to create work in this vein, expanding the book covers to include his own phrases, some hilarious and absurd, others with a lush melancholy.
Miller was the Writer in Residence at the ICA for 2002 and over the course of his residence he programmed a number of events drawing from his experience in literature and fine art, which included a season devoted to the ongoing influence and legacy of Edgar Allen Poe.
Group exhibitions include 'Fools Rain', ICA, London (1996), 'Direct Painting', Kunsthalle, Mannheim (2004), 'Summer Exhibition', Royal Academy of Arts, London (2005, 2006) and 'The Sculpture in the Close', Jesus College, Cambridge (2013). Solo exhibitions include 'Don't Let the Bastards Cheer You Up', BALTIC Centre for Contemporary Art, Gateshead (2009) and 'The Next Life's On Me', White Cube Hoxton Square, London (2012).